Differences

This shows you the differences between two versions of the page.

--- ins_juice_of_barley [2019/04/28 00:34] – created - external edit 127.0.0.1
+++ ins_juice_of_barley [2025/06/24 02:48] (current) – mar4uscha
@@ Line 25: / Line 25: @@
 is man 1 and woman 2.  --- //[[nashjc]] 2015/02/13 21:09//
+====== Juice of Barley ======
+The Dancing Master 1689\\
+Cecil J. Sharp 1916\\
+Duple Minor longways \\
+<code>
+Al 1-4 All back to back right shoulder with partner.
+A2 1-4 All turn partner with both hands once round.
+Bl 1-4 1st and 2nd Men (1st Man crossing in front of 2nd Man) half figure
+through 1st and 2nd Women.
+-8 All clap own hands together once and circle to left once round
+       (slipping step).
+B2 1-4 Ist and 2nd Women (1st Woman crossing in front of 2nd Woman)
+       half figure 8 through 1st and 2nd Men.
+-8 All clap own hands together once and circle to left once round
+       (slipping step).</code>
+====== Juice of Barley ======
+Nicolas Broadbridge 1995\\
+Sicilian circle \\
+Couple facing couple, 1at couples facing anticlockwise.
+<code>
+Al 1—4 All back to back right shoulder with partner
+A2 1—4 All turn paste with both hands once round.
+Bl 1-4 1st Woman anil 2nd Min epsgemp os emits of circle) half figure 8
+       inwards through lst Man and 2nd Woman, 1st Woman crossing in front.
+—8 All clap own hands together once and circle to left once round.
+      (slipping step).
+B2 1-4 2nd Woman and lst Man (dancers on inside of circle) half figure 8
+       outwards through 1st Woman and 2nd Man, 2nd Woman crossing in front.
+—8 All clap own hands together once and circle to left once round
+      (slipping step), finishing facing partner in progressed place.</code>
+The history of this tune and dance is convoluted! An
+earlier title for this superb tune was "Stingo, or the Oyl of
+Barley" and it was included with a dance in DM I: 1-8
+(1651-1690). The first strain of the tune shares strong
+family resemblance to "Bobbing Joe" (DM I: 1651-1728).
+Many lyrics were set to the tune, all having in common
+the metaphorical themes of strong ale, and of "selling
+barley,” the feminine equivalent of "sowing wild oats."\\
+In 1688 a "new Scotch Song" set to the tune appeared.
+Written by D'Urfey, it began "Could and Raw the North
+did blow..." With this song came a new popularity for the
+melody, and in 1689, Henry Playford cashed in on it,
+issuing a sheet with six dances, two of them to the tune:
+"Cold and Raw" and "Juice of Barley" (the dance Sharp
+reconstructed). He repeated the latter dance as "Cold and
+Raw" in the next edition of the DM (1:9,1695). After
+Walsh appropriated almost the entire contents of DM L:16
+(1716) for his collection of 1718, the dance was changed
+for the final two editions back to the figures which had
+first appeared as "Cold and Raw" in 1689.
+The following song set to the tune was published in
+.\\
+**Good Ale for My Money**\\
+Be merry my friends, and list a while\\
+Unto a merry jest,\\
+It may from you produce a smile,\\
+When you heare it exprest:\\
+Of a young man lately married,\\
+Which was a boone good fellow;\\
+This song in's head he alwaies carried,\\
+When drink made him mellow.\\
+I cannot go home, nor I will not go home,\\
+It's ‘long of the oyle of Barly,\\
+I'le tarry all night for my delight,\\
+And go home in the morning early.\\
+Ashton, Humour, Wit and Satire, 276